{"id":7129,"date":"2026-07-19T19:35:54","date_gmt":"2026-07-19T17:35:54","guid":{"rendered":"https:\/\/implementi.ai\/en\/2026\/07\/19\/surprisingly-i-cant-help-but-like-this-suno-created-song\/"},"modified":"2026-07-19T19:35:54","modified_gmt":"2026-07-19T17:35:54","slug":"etonnamment-je-ne-peux-mempecher-daimer-cette-chanson-composee-par-suno","status":"publish","type":"post","link":"https:\/\/implementi.ai\/fr\/2026\/07\/19\/surprisingly-i-cant-help-but-like-this-suno-created-song\/","title":{"rendered":"\u00c9tonnamment, je ne peux m'emp\u00eacher d'aimer cette chanson compos\u00e9e par Suno."},"content":{"rendered":"
\n

\nL'artiste connu sous le nom de 1010Benja se d\u00e9tache en silhouette sur un fond aux couleurs de l'heure dor\u00e9e, chaque trait de sa silhouette exprimant un d\u00e9fiance tranquille. Il y a dans son attitude une certaine d\u00e9termination in\u00e9branlable, un refus tacite de c\u00e9der ou de s'excuser pour sa d\u00e9cision controvers\u00e9e. Ce personnage \u00e9nigmatique repousse les limites et suscite des d\u00e9bats anim\u00e9s au sein de l'industrie musicale. Son crime ? Avoir adopt\u00e9 l'IA g\u00e9n\u00e9rative dans sa cr\u00e9ation musicale.\n<\/p>\n

\nAs a journalist with a typhoon of eclectic musical preferences, it would be remiss of me to denounce the use of AI in music outright. I find myself nodding along to Holly Herndon’s esoteric soundscapes and have grudgingly admitted that AI-generated compositions hold a certain intrigue. However, where generative AI is concerned, I have often found the output to be, at best, uninspiring, and, at worst, d'un ennui mortel<\/em>.\n<\/p>\n

\nSo, it\u2019s with a certain amount of wordless confusion that I find myself enjoying 1010Benja\u2019s piece titled \u2018Semiramis’ Dream\u2019. The usage of generative AI in this composition edges on the very cusp of this nascent technology\u2019s potential but does not shy away from the inherently chaotic nature of AI corralled into creative conformity.\n<\/p>\n

L'utilisation sans complexe de l'IA dans la musique<\/h3>\n

\nWith his latest EP, gracefully titled \u2018Time Has Nothing To Do With What You Choose…\u2019, 1010Benja remains unapologetically experimental. Though the other three tracks may not stand up as well against his 2024 body of work, \u2018Ten Total\u2019, there\u2019s no denying the infectiously frenetic energy of ‘Semiramis’ Dream’. The track erupts from the speakers over a pulsating jungle beat, embedding itself in the listeners’ auditory consciousness, driven, no doubt, by the unusual yet enthralling use of generative AI.\n<\/p>\n

Conclusion<\/h3>\n

\nComme pour toute nouvelle technologie, l\u2019utilisation de l\u2019IA dans la musique a bien s\u00fbr ses d\u00e9tracteurs. Cependant, l\u2019approche unique de 1010Benja pourrait bien convaincre m\u00eame les critiques les plus acharn\u00e9s. En s'aventurant avec audace dans ce domaine inexplor\u00e9 de la cr\u00e9ation musicale, 1010Benja endosse le r\u00f4le de pionnier intr\u00e9pide, explorant les fronti\u00e8res entre technologie et cr\u00e9ativit\u00e9. Avec des artistes comme lui \u00e0 la barre, l'avenir de l'IA g\u00e9n\u00e9rative dans la musique s'annonce tout sauf monotone.\n<\/p>\n<\/div>\n

Lire l'article complet sur The Verge.<\/a><\/p>","protected":false},"excerpt":{"rendered":"

The artist known as 1010Benja stands in silhouette against a golden-hour backdrop, quiet defiance written in every line of his form. There\u2019s a certain stalwart resolution in his stance, an unspoken refusal to back down or apologize for his controversial decision. This enigmatic character is pushing the boundaries and stirring heated discussions within the music industry. His crime? Embracing generative […]<\/p>\n","protected":false},"author":1,"featured_media":7131,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[25],"tags":[],"class_list":["post-7129","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-audio"],"featured_image_src":"https:\/\/implementi.ai\/wp-content\/uploads\/2026\/07\/7129-1024x683.jpg","blog_images":{"medium":"https:\/\/implementi.ai\/wp-content\/uploads\/2026\/07\/7129-300x200.jpg","large":"https:\/\/implementi.ai\/wp-content\/uploads\/2026\/07\/7129-1024x683.jpg"},"ams_acf":[],"jetpack_featured_media_url":"https:\/\/implementi.ai\/wp-content\/uploads\/2026\/07\/7129.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/implementi.ai\/fr\/wp-json\/wp\/v2\/posts\/7129","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/implementi.ai\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/implementi.ai\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/implementi.ai\/fr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/implementi.ai\/fr\/wp-json\/wp\/v2\/comments?post=7129"}],"version-history":[{"count":0,"href":"https:\/\/implementi.ai\/fr\/wp-json\/wp\/v2\/posts\/7129\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/implementi.ai\/fr\/wp-json\/wp\/v2\/media\/7131"}],"wp:attachment":[{"href":"https:\/\/implementi.ai\/fr\/wp-json\/wp\/v2\/media?parent=7129"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/implementi.ai\/fr\/wp-json\/wp\/v2\/categories?post=7129"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/implementi.ai\/fr\/wp-json\/wp\/v2\/tags?post=7129"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}