{"id":7129,"date":"2026-07-19T19:35:54","date_gmt":"2026-07-19T17:35:54","guid":{"rendered":"https:\/\/implementi.ai\/en\/2026\/07\/19\/surprisingly-i-cant-help-but-like-this-suno-created-song\/"},"modified":"2026-07-19T19:35:54","modified_gmt":"2026-07-19T17:35:54","slug":"co-zaskakujace-nie-moge-sie-powstrzymac-od-polubienia-tej-piosenki-stworzonej-przez-suno","status":"publish","type":"post","link":"https:\/\/implementi.ai\/pl\/2026\/07\/19\/surprisingly-i-cant-help-but-like-this-suno-created-song\/","title":{"rendered":"Co zaskakuj\u0105ce, nie mog\u0119 si\u0119 powstrzyma\u0107 od polubienia tej piosenki autorstwa Suno."},"content":{"rendered":"
\n

\nArtysta znany jako 1010Benja wy\u0142ania si\u0119 jako sylwetka na tle z\u0142otej godziny, a ka\u017cda linia jego sylwetki wyra\u017ca cichy bunt. W jego postawie wida\u0107 pewn\u0105 niez\u0142omn\u0105 determinacj\u0119, niewypowiedzian\u0105 odmow\u0119 ust\u0105pienia lub przeproszenia za swoj\u0105 kontrowersyjn\u0105 decyzj\u0119. Ta enigmatyczna posta\u0107 przekracza granice i wywo\u0142uje gor\u0105ce dyskusje w bran\u017cy muzycznej. Jego \u201eprzest\u0119pstwo\u201d? Wykorzystanie generatywnej sztucznej inteligencji w tworzeniu muzyki.\n<\/p>\n

\nAs a journalist with a typhoon of eclectic musical preferences, it would be remiss of me to denounce the use of AI in music outright. I find myself nodding along to Holly Herndon’s esoteric soundscapes and have grudgingly admitted that AI-generated compositions hold a certain intrigue. However, where generative AI is concerned, I have often found the output to be, at best, uninspiring, and, at worst, niezwykle nudne<\/em>.\n<\/p>\n

\nSo, it\u2019s with a certain amount of wordless confusion that I find myself enjoying 1010Benja\u2019s piece titled \u2018Semiramis’ Dream\u2019. The usage of generative AI in this composition edges on the very cusp of this nascent technology\u2019s potential but does not shy away from the inherently chaotic nature of AI corralled into creative conformity.\n<\/p>\n

Bezkompromisowe wykorzystanie sztucznej inteligencji w muzyce<\/h3>\n

\nWith his latest EP, gracefully titled \u2018Time Has Nothing To Do With What You Choose…\u2019, 1010Benja remains unapologetically experimental. Though the other three tracks may not stand up as well against his 2024 body of work, \u2018Ten Total\u2019, there\u2019s no denying the infectiously frenetic energy of ‘Semiramis’ Dream’. The track erupts from the speakers over a pulsating jungle beat, embedding itself in the listeners’ auditory consciousness, driven, no doubt, by the unusual yet enthralling use of generative AI.\n<\/p>\n

Wnioski<\/h3>\n

\nJak w przypadku ka\u017cdej nowej technologii, wykorzystanie sztucznej inteligencji w muzyce ma oczywi\u015bcie swoich przeciwnik\u00f3w. Jednak wyj\u0105tkowe podej\u015bcie 1010Benja mo\u017ce przekona\u0107 nawet najbardziej zagorza\u0142ych krytyk\u00f3w. Odwa\u017cnie wkraczaj\u0105c na ten nieodkryty obszar tw\u00f3rczo\u015bci muzycznej, 1010Benja staje si\u0119 nieustraszonym pionierem, badaj\u0105cym pogranicze technologii i kreatywno\u015bci. Z artystami takimi jak on na czele przysz\u0142o\u015b\u0107 generatywnej sztucznej inteligencji w muzyce nie zapowiada si\u0119 bynajmniej monotonnie.\n<\/p>\n<\/div>\n

Przeczytaj ca\u0142\u0105 histori\u0119 na The Verge.<\/a><\/p>","protected":false},"excerpt":{"rendered":"

The artist known as 1010Benja stands in silhouette against a golden-hour backdrop, quiet defiance written in every line of his form. There\u2019s a certain stalwart resolution in his stance, an unspoken refusal to back down or apologize for his controversial decision. This enigmatic character is pushing the boundaries and stirring heated discussions within the music industry. His crime? Embracing generative […]<\/p>\n","protected":false},"author":1,"featured_media":7131,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[25],"tags":[],"class_list":["post-7129","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-audio"],"featured_image_src":"https:\/\/implementi.ai\/wp-content\/uploads\/2026\/07\/7129-1024x683.jpg","blog_images":{"medium":"https:\/\/implementi.ai\/wp-content\/uploads\/2026\/07\/7129-300x200.jpg","large":"https:\/\/implementi.ai\/wp-content\/uploads\/2026\/07\/7129-1024x683.jpg"},"ams_acf":[],"jetpack_featured_media_url":"https:\/\/implementi.ai\/wp-content\/uploads\/2026\/07\/7129.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/implementi.ai\/pl\/wp-json\/wp\/v2\/posts\/7129","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/implementi.ai\/pl\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/implementi.ai\/pl\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/implementi.ai\/pl\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/implementi.ai\/pl\/wp-json\/wp\/v2\/comments?post=7129"}],"version-history":[{"count":0,"href":"https:\/\/implementi.ai\/pl\/wp-json\/wp\/v2\/posts\/7129\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/implementi.ai\/pl\/wp-json\/wp\/v2\/media\/7131"}],"wp:attachment":[{"href":"https:\/\/implementi.ai\/pl\/wp-json\/wp\/v2\/media?parent=7129"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/implementi.ai\/pl\/wp-json\/wp\/v2\/categories?post=7129"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/implementi.ai\/pl\/wp-json\/wp\/v2\/tags?post=7129"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}